Watercolor, screen printing and intaglio on paper. 2024-2025. Variable sizes, 18x24 inches and 20x30 inches. This series combines watercolor and printmaking techniques to explore the emotional and allegorical potential of zoomorphic vessels. Their shapes evoke the magic of genie lamps—containers of dreams and aspirations—while referencing global stories. The organic washes suggest transformation and emotion, while printed details ground the vessels in a rich interplay of texture and symbolism. These works aim to transcend traditional still-life conventions, offering a contemporary meditation on our interspecies connections and the timeless relationship between humans, animals, and the environment.
Screenprinting on black velvet paper, 20 x 30 inch. 2022-2024. In this series I am interested in challenging art historical narratives and modes of representation, for example, the painted Greek vase that documented various aspects of life. Traditional still-life paintings typically represent the time's motifs, desires, and political relationships across cultures. Each vessel represents an emotional facet of our 21st-century existence. The zoomorphic qualities of the sculptures are allegorical, expressing human and environmental concerns. Like a genie lamp that holds our dreams and aspirations, the transformed vessels may evoke a range of emotions like love, hope, fear, greed, or glee. I am inspired by world stories that feature animals as conduits of morality, like The Panchatantra story (an ancient Indian collection of animal fables) about a friendship between a monkey with a golden heart and an old hungry crocodile.
3 vase kiss, 20 x 30, screenprint on black velvet paper, 2023
4 vase, 20 x 30, screenprint on black velvet paper, 2023
3 vase face, 20 x 30, screenprint on black velvet paper, 2023
2 vase alligator, 20 x 30, screenprint on black velvet paper, 2023