This series titled Faceless depicts ghostly portraits enshrouded in colorful lines that drape around a faceless figure—each print is a different iteration of the same composition. I have been using the same 18 x 24-inch copper plate repeatedly; ghost printing, as it is known in printmaking, is a process in which an image on the plate is reprinted, albeit quite faint. The indistinguishable portraits become identified only by their shared marks. Faceless, Monoprint on paper, 20 x 30 inches, 2015

The following series of works on paper are in direct reference to the Faceless prints, each print/drawing is a rubbing of a previous drawing/print. A simple process in which the excess ink is removed by applying light pressure on drawing paper over the inked-up copper plate. Only the hand-applied ink is captured, leaving the blacks of the etched image absent. 24 x 32 inches, ink on paper, 2017